- De Stijl
- Gerrit Rietveld
- Theo van Doesburg
- El Lissitzkyy
- Peter Oud
- JJ Oud
- Bauhaus
- Herbert Bayer
- Walter Gropius
- Moholy Nagy
Wednesday, February 24, 2010
Wednesday, February 17, 2010
Constructivism and De Stijl
- Kasimir Malevich
- Supermatism
- Rodchenko
- Constructivist
- El Lissitszky
- Photomantage
- Salomen Tellingater
- Prouns
- The Steinberg Brothers
- De Stijl
- Theo Van Doesburg
- Gerrit Rietveld
El Lissitsky is pivitol graphic designer of the period. His painting style known as Prous established modern enviormental design. He Formulates environment based on 3D
communication experience the way he worked and drafted with photos was truely amazing. The steinburg brothers were also amazing, the build on constructivist ideals and made the russan movie poster. They projected films and drafted from them. Its so creative and they embraced the fact that they drew and no longer photography. It was photography inspired but they were proud of them. Art movements change so easily with one persons ideas, its amazing how one idea can bring enire art movement into swing.
Wednesday, February 10, 2010
Unit 2 part 1
- Plakastil
- Cubism
- Lucian Bernhard
- Allie posters Vs. Central Powers
- Ludwig Holhwein
- Structural Linguistics
- Typographic Materiality
- Stephane Mallarme
- Similtaneity
- Synthetic Cubism
- Futurism
- Marinetti
- DADA
- Duchamp
- John Heartfeild
- George Grosz
- Kurt Schwitters
- Surrealism
- Max Ernst
- Rene Magritte
- Man Ray
Wednesday, January 27, 2010
Class 1/27
- Victorian Graphics
- Chromolithography
- Lithographic Naturalism
- Louis Prang
- John Gamble
- Ottmar Mergenthler
- Editorial Design
- Political cartoons/ Thomas Nast
- Rise of Ad Agencies
- Arts and Craft Movement
- William Morris
- Total Design
- Kelmscott Press
- Art Nouveau
- Pre-Raphaelite Painting
- Ukiyo-E wood blocks
- Cheret and Grasset
- Aubrey Beardsley
- The Beggarstaffs
- Toulouse Lautrec
- Alphonse Mucha
- Will Bradly
- Gustav Klimt
- Koloman Moser/ Gesamkunstwerk
- Alfred Roller
- Joseph Hoffman
- Modernist Era
- Glasgow School
- Peter Behrens
- Railway Type/ Edward Johnson
Wednesday, January 20, 2010
Unit 1 Part 1 & 2
Key Points
Its very interesting to think about where the written alphabet has come from and how advanced that it has gotten. I can simple understand the symbols that I am typing right now. It really boggles my mind to think about the progression of type and all the thought that must have gone into creating a very first language and not simply learning it. After a concrete alphabet is established it can not be left at that, designer's push boundaries to see far they can take the alphabet and that is when something so basic as communication becomes art. It makes me wonder where I would be right now if there was only one typeface out there. Would graphic design still exist? Or would the alphabet just be a form of communication?
- Earliest pictorial markings Africa 35,000 BC
- Ideographs and Pictographs
- Invention of writing brought about intellectual revolution
- Cuneiform is the first phonetic writing system
- Egyptian Invention of Papyrus and first “Illustrated Manuscripts”.
- Logograms
- Invention of printing 860AD
- Movable type 1045AD
- Phoenician Greek and Latin Alphabet
- Uncials 3rd Cen. AD
- Latin Alphabet 1st Serifs on Trajan Column
- Square Capitals and Rustic Capitals
- Codex
- Celtic Book Design, first drafting tools used
- Black Letter
- Block Book
- Gutenberg's Printing press and Textur
- Albrecht Durer
- Renaissance type prototype
- Aldus Manutius, Italics, pocket book
- Claude Garamond
- Transitional
- Louis Simonneau’s master alphabets
- Modern Type Bidoni and Dibot
- Monster Type, Slab Serif
- Fat Face Letters novelty of type
- San Serif William Caslon the IV
Its very interesting to think about where the written alphabet has come from and how advanced that it has gotten. I can simple understand the symbols that I am typing right now. It really boggles my mind to think about the progression of type and all the thought that must have gone into creating a very first language and not simply learning it. After a concrete alphabet is established it can not be left at that, designer's push boundaries to see far they can take the alphabet and that is when something so basic as communication becomes art. It makes me wonder where I would be right now if there was only one typeface out there. Would graphic design still exist? Or would the alphabet just be a form of communication?
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